Steven Mohapi, Johannesburg, 2003
Londiwe Wendy Mkhiza, Pietermaritzburg, 2005
Sithabile Manqele, Pietermaritzburg, 2005
Samkelisiwe Nomusa Mbeje, Pietermaritzburg, 2005
Wonderful Nokukhanya, Pietermaritzburg, 2005
Mkhonzemi Welcome Makma, Pietermaritzburg, 2005
Thembile Mabaso, Johannesburg, 2003
Regina Kambule, Johannesburg, 2003
Jeffrey Rasvhechele, Johannesburg, 2003
Zukiswa Tyami, Johannesburg, 2003
Kedibone Motshudi, Johannesburg, 2003
Malebina Mahloko, Johannesburg, 2003
Linda Msiza, Johannesburg, 2003
Raymond Nteo, Johannesburg, 2003
Thami Mawe, Johannesburg, 2003
Vuyiswa Kama, Cape Town, 2003
Vinkosi Sigwegwe, Cape Town, 2003
Fikelephi Dlamini, Durban, 2005
Gloria Phungule, Durban, 2005
Thulani Magwaza, KwaMashu, 2005
Lawrence Phutiyagae, De Doorns, 2005
Leon Nel, Worcester, 2005
Justus Wilhelm Reitz, Carnarvon, 2005
Justine Seronne, Worcester, 2005
Chanté Adams, Uitenhage, 2005
Vernon Barnard, Somerset West, 2005
Sofila Mishe, Kimberly, 2005
Patricia Sikhaari, Venda, 2005
Hazel Naicker, Soweto, 2005
Vunjani Sonjica, Worcester, 2005
Rachel Bosman, Cape Town, 2005
Willie Arendse, Salt River, 2005
Monde Dlamini, Durban, 2005
Lena Swartz, Salt River, 2005
Philani Vilakazi, Claremont, 2005
Thali Mbhele, Mzimkhulu, 2005
Jaconius Mdletshe, Durban, 2005
Bethuel Mbatha, Durban, 2005
Maria Goliath, Cape Town, 2005
John Aubrey Somwahla, Transkei, 2005
Ntombizonke Madwayi, Queenstown, 2005
Ephraem Ntsele, Meadowlands, 2006
Owen Knibbs, Observatory, 2005
Kay Whitfield, Cape Town, 2006
Barney Radebe, Transkei, 2006
Anna Hugo, Cape Town, 2006
Elizabeth Ryan, Cape Town, 2005
Comrade Marumo Molusi, Soweto, 2006
Christina Masando, Alexandra, 2006
Raymond Fraser, Cape Town, 2005
Frances Mehl, Cape Town, 2005
Sheila Ward Smith, Sea Point, 2006
Katie Moerane, Tembisa, 2006
Aron Twala, Vrede, 2006
Pieter Hugo, Cape Town, 2004
LOOKING ASIDE
In this intimate and unsettling series of images, created between 2003-2006, the artist points his lens at those people whose appearance makes us “look aside”. Hugo’s subjects are the blind, people with albinism, the aged, his family and himself. In doing so, he forces us to confront ourselves and our preconceptions and prejudices, and question why we are so awkward when we encounter people who are unusual in some way. In these frontal declaratory portraits, we see what we usually choose to look at from the corners of our eyes.